目次

• Introduction
Column 1 Yogyakarta, an Old City in Central Java

1 Crossing the Boundary of Gender: Female-Impersonation in Traditional Dance
1 - 1 Female-Impersonation in Javanese Dance
1 - 2 Femininity and Masculinity
1 - 3 The Body of a Female-Impersonating Dancer
1 - 4 Traditional Dance in Java and Bali

2 In Search of Multiple Identities: Creative Work Dwimuka
2 - 1 Dwimuka Dance
Highlights in the Work Dwimuka
2 - 2 Dwimuka Jepindo
Column 2 The Mask Dance of Cirebon, Java

3 Crossing the Boundary of Ethnic Identity: Creative Work Panca Sari
3 - 1 As an Artist of Chinese Indonesian Descent
Column 3 People of Chinese Descent in Suharto-Governed Indonesia
3 - 2 In Search of Identity
Highlights of Panca Sari

4 From Comedy to Serious Performance: The Creative Work Dewi Sarak Jodag
4 - 1 Comedian
4 - 2 Encountering Japanese Onnagata (Female-Role Players)
4 - 3 Serious Work Dewi Sarak Jodag
Highlights of Dewi Sarak Jodag
Column 4 Javanese Panji Romance

5 As an Indonesian Dancer
5 - 1 As a Chinese Indonesian Artist
5 - 2 Network of Chinese Descendant Communities
5 - 3 The Chinese Temple in Gudo, East Java
5 - 4 Chinese New Year in Yogyakarta

6 The Body of a Female-Impersonating Dancer
6 - 1 Training the Body
6 - 2 Devices for Transformation by Masks: Multiple Expressions of Gender

7 From the Local Community to the World
7 - 1 Teachers
7 - 2 An Artist in a Local Place
7 - 3 Performances in Various Regions of the World

8 As a Manager of a Studio, as a Teacher
8 - 1 Education of Staff
8 - 2 Composition of Works
8 - 3 The Next Generation

9 The 2014 Event REBORN

• Afterword
Aftword: Madoka Fukuoka
Afterword: Hitoshi Furuya

• Appendix DVD
DVD Contents 1 Dance Works of Didik Nini Thowok
DVD Contents 2 Street Walk Yogyakarta
DVD Contents 3 Interview by Madoka Fukuoka(Translation by Marjorie Suanda)

• Bibliography